NOTE TO SELFLOVE

It’s a gift to share reality with someone

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My partner and I say, unjokingly, that if it weren’t for dating apps we never would have met. We’re different in many ways, with divergent backgrounds, interests, musical tastes and social-media diets. While our differences meant we needed help getting together, staying together has been easy – perhaps because we have something that researchers have deemed valuable in relationships: a ‘shared reality’.

Psychology researchers define a shared reality as the perception that you share with another person many of the same feelings, attitudes and beliefs about the world. If, for example, you and a partner discuss a horror movie you’ve watched together, and it turns out that you both found particular parts scary and other bits a little silly, you’d feel a sense of shared reality about this movie. It’s the impression that the other person is seeing what you’re seeing and that you’re processing it in a similar way. This can apply to all sorts of shared experiences.

Previous research has shown that having a shared reality is related to greater relationship satisfaction and commitment. Most recently, researchers found that romantic partners who experienced a higher sense of a shared reality tended to report a greater sense of meaning in life. They also reported feeling less uncertainty when faced with stressful life and world events.

For me, it’s reassuring to have someone whose experience of the world overlaps with mine – especially in moments when I doubt my own reading of a situation. When someone’s humour at a party doesn’t sit right with me but rouses rounds of laughter, that incongruence and self-doubt can feel uncomfortable. When my partner, unprompted, later admits he didn’t enjoy it either, we both sigh in relief and talk about why. It’s a grounding process, one that confirms, time after time, that neither of us is alone in seeing things the way we do.

by Hannah Seo

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Want to get better at showing that you have a sense of what someone is feeling? It’s a skill you can practise. To learn more, check out Psyche’s Guide on ‘How to Make Someone Feel Seen and Heard’ (2025), by Caroline Fleck.

Going beyond surface-level conversations with a friend or partner provides new opportunities to feel understood, as Lucy Foulkes explains in her Guide on ‘How to Have More Meaningful Conversations’ (2021).


NOTE TO SELFOCD

Forever compelled

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Woman in historical dress washing her hands with water poured by a child from a jug, with onlookers in an ornate interior setting.

Having a history with obsessive-compulsive disorder (OCD), I’ve long found it fascinating and, in a way, reassuring to read about the disorder’s many guises. The anxious thoughts and compulsive responses to them follow a common script, but the specifics vary. What seems horrible to one person with OCD, such as using a restroom without extensively washing their hands, might seem innocuous to the next person, who’s preoccupied by something completely different (such as worrying and repeatedly testing whether doors are locked, or having ‘bad thoughts’ and scrutinising what they mean). Reflecting on this merry-go-round of fears tells you something about the true nature of your specific, seemingly terrible fear.

A book I recently read showed me another dimension of this multiplicity – stretching it backward in time. In portions of Can’t Just Stop: An Investigation of Compulsions (2017), the late science journalist Sharon Begley surveys compulsions of the past. Based on rare historical accounts, she writes, it seems that ‘until the late seventeenth century, [compulsions] were seen as evidence of Satan’s hand and addressed by clergymen.’ Some of them featured the scrupulosity that still appears in many OCD cases today – for example, compulsively praying, fearing you’ve not done it right.

But other variants emerged in the record. A Renaissance-era physician described a patient who felt compelled to wash her clothes after touching things. Later, Begley writes, changes such as the spread of household stoves encouraged compulsive checking (eg, checking and rechecking whether you left the stovetop or oven on, a well-recognised pattern today). In what sounds a lot like an OCD compulsion, the 18th-century writer Samuel Johnson would reportedly touch each lamppost as he walked down the street, ensuring he didn’t miss any. The disorder took on new faces, and the explanations for it evolved. But its insidious power appears to be age-old.

by Matt Huston

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For an excellent, concise description of OCD and ‘scrupulosity’ in particular, read Jesse Summers’s Psyche Idea ‘Why Won’t the Sin Wash Away? When Thinking Ethically Goes Awry’ (2020).

Nick Wignall’s Psyche Guide on ‘How to Deal With Troubling Thoughts’ (2020) offers advice for handling the intrusive, unwanted thoughts that are a common feature of OCD.

The International OCD Foundation lists many of the common types of obsessions and compulsions and has a series of articles on subtypes of OCD.


A painting that captures perfectionism

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Unfinished painting of a man with white hair in a dark coat against a brown background on a textured canvas.

Whenever I take on a complex task – in my case, usually writing – I struggle to work fast and with abandon. Perhaps it’s because I’m an editor: every sentence must be crafted and justified. When this happens, one particular painting comes to mind. It reminds me how not to get things done, because it seems the artist spent too much time perfecting, not enough time completing. At least, so it appears.

The painting is an unfinished portrait of George Washington, the first president of the United States, by Gilbert Stuart in 1796. Known as the Athenaeum portrait, it was used as the basis for Washington’s face on the $1 bill. Not knowing its history, I have long liked to imagine that Stuart was similarly afflicted. I picture him starting with a perfect likeness of Washington’s head, but, in his tinkering, never getting around to the body.

With this image in mind, I try to pivot my approach closer to how a child might paint: messy splodges, working the pigment into shapes and forms, unconcerned with perfection. Finish first, edit later.

It turns out the truth behind the Athenaeum portrait is not what I assumed. Commissioned by the first lady Martha Washington, Stuart didn’t deliver the painting because he wanted to keep it. Before cameras, the partial image let him have Washington’s likeness in his studio to copy and sell. He supposedly called those duplicates his ‘hundred-dollar bills’.

Maybe Stuart wasn’t a perfectionist after all – rather, a pragmatist who knew when something was ‘good enough’ to serve its purpose. Perhaps that’s the real art of finishing: knowing when to stop, even if the work feels incomplete.

Sadly, I can’t print money from my own incomplete work. And if I want to publish this piece, I will need an ending; something that speaks of how to get a job done. [Insert satisfying final sentence here.]

by Richard Fisher

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For an in-depth exploration of perfectionism, read the Psyche Guide ‘How to Get Over “Never Good Enough”’ (2020) by Margaret Rutherford.

Perfectionists are especially prone to sleep problems. To learn more, check out the Psyche Guide ‘How to Sleep When You’re a Perfectionist’ (2024) by Nick Wignall.


NOTE TO SELFEMOTIONS

Why kama muta is an emotion worth seeking

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A bearded person gently cradling a newborn wrapped in a patterned blanket by a window in soft light.

On a beautiful day in early summer, four friends and I decided to picnic and paint in the park. We brought along small squares of watercolour paper split into quadrants, sat in a circle, and took turns painting how we saw each other. These depictions could be abstract or literal: one person did colour swatches of how they interpreted your aura, another person painted objects representing your hobbies and passions. At the end, I got my paper back with four painted interpretations of myself, each done by a different friend.

As I looked at these artistic renderings and considered the close attention my friends had paid me to complete them, I felt a warm swell of emotion and got a little choked up. In that moment, I couldn’t quite define the feeling. It wasn’t exactly joy, nor was it appreciation or pride, but something else. Later, I found the answer in a psychology research paper: it was kama muta.

About a decade ago, the anthropologist Alan Fiske saw a gap in the English language. There was no general term for the emotion of being moved or touched by moments of sharing and connection – such as when you hold a baby for the first time, listen to a loved one’s eulogy, or feel profoundly linked to others at a religious or social gathering. Moments like these can produce a warm and fuzzy feeling, sometimes accompanied by tearing up, getting choked up, or the urge to go ‘aww’. Fiske and his colleagues labelled it kama muta, derived from a Sanskrit term that means ‘moved by love’. Experiencing this positive emotional response, they argue, helps to motivate continued engagement in the relationships that spark it.

For me, knowing about the power of kama muta is a useful nudge toward greater bonding in my relationships. Now I look for opportunities to cultivate it where I can, as my friends and I did that day in the park – sharing care and attention so freely that it moved us.

by Hannah Seo

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Alan Fiske describes kama muta further, including how it differs from love, in the Aeon article ‘Kama Muta: A New Term for That Warm, Fuzzy Feeling We All Get’ (2019).

If you’d like to go deeper on the scientific research about kama muta, you can check out a recent review on the subject by Fiske and colleagues in the Annual Review of Psychology.


NOTE TO SELFDECISION-MAKING

For maximisers, bad choices really sting

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A dimly lit street with parked cars at night. A building has a large, vertical “HOTEL” sign illuminated.

Recently, I got food poisoning on holiday. I guzzled a glass of water from the hotel bathroom tap, after missing a sign saying it wasn’t drinkable. I regretted that decision, but what nagged at me more was something else: my choice of hotel in the first place.

Before a holiday, I often agonise over where to stay, weighing up every hotel I can find, with the goal of finding the very best option. Psychologists would call me a ‘maximiser’. Other people (like my partner, for one) are ‘satisficers’ who evaluate fewer options and choose one that’s ‘good enough’. Since the 2000s, maximisers have become of interest to psychologists because they often report greater regret and dissatisfaction with their choices afterwards. It seems their forensic searching for the ‘best’ reveals more options, but also inflates expectations of perfection and, once they’re locked in, they are painfully aware of all the rejected alternatives. One paper from 2024 suggested such habits can spoil a holiday.

In my nausea, I couldn’t shake the feeling that, in a parallel universe, I was enjoying another hotel sickness-free. So, since then, I’ve tried not to maximise so much, especially for semi-arbitrary choices. I might not find perfection but, according to the research, I’ll feel better about it.

My tactical satisficing has felt even more justified since I learnt recently about the work of the historian Sophia Rosenfeld. In an essay for Psyche’s sister site Aeon, she traces how and why choice became a fundamental right in Western societies – and why that right has created many problems. Choice, she argues, is not the same thing as freedom.

Clearly, it’s a luxury to have choices in life: many people don’t. But what I take from all this is that I could decide to be more mindful about how I choose.

by Richard Fisher

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If you like Sophia Rosenfeld’s Aeon Essay, ‘The Explosion of Choice’ (2025), you can dive deeper into her historical research about the roots of choice in her book The Age of Choice: A History of Freedom in Modern Life (2025).

To learn more about making tricky choices, check out the Psyche Guide ‘How to Make a Difficult Decision’ (2022) by Joseph Bikart.

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