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Creativity and the arts

Play

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The achievement society is burning us out, we need more play

This is about more than a self-help switch – it will take structural changes to reject capitalism’s productivity obsession

by Alec Stubbs

Transcendent experience

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Our days are both rough and slippery. Hope brings traction

I want to defend and buoy hope – it’s a fragile, quirky thing, but it has the power to help us act in the face of finitude

by John Lysaker

The African American singer and pianist Nina Simone is pictured alone, singing against a spotlight that resembles a moon in the darkness. She has her eyes closed.

Emerging therapies

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Could that tingle down the spine be a way to rediscover joy?

In new research, scientists have looked into the potential benefits of giving people with depression the aesthetic chills

by Shayla Love

Laughter and comedy

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Absurdist comedy is uniquely brilliant at conveying human pain

On stage as Mr Fruit Salad, I’ve seen how the bizarre and ridiculous can convey deep meaning in a way that resonates

by Joz Norris

Psychoanalysis and the unconscious

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For Jung, architecture was a tool to represent the psyche

Carl Jung’s approach to architecture is a provocation: how are we creating spaces for the forgotten dimensions of our minds?

by David Borkenhagen

A dancer in traditional Indian dress performs on stage against a black background

Dance

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Bharathanatyam dance is a living exploration of being human

With its origins in 16th-century India, Bharathanatyam remains hugely popular. Here’s a primer to kickstart your enjoyment

by Lakshmi Thiagarajan

A kindergarten-age child plays with a padlock and key at a white table

Thinking and intelligence

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Innovative three-year-olds expose the limits of AI chatbots

New experiments show that very young children are better at solving creative puzzles than ChatGPT and other AI models

by Shayla Love

Sex and sexuality

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My take on ‘Venus in Furs’ as a modern-day dominatrix

My experiences as a 21st-century femdom echo the gendered themes that feature in Leopold von Sacher-Masoch’s 1870 novel

by Gia Marcos