Dadli

14 MINUTES

Join a local boy’s tour of the Antigua that visiting cruise ships never see

Antigua was named by Christopher Columbus (supposedly after the chapel Santa María de la Antigua in Seville Cathedral in Spain) when he landed on the Caribbean island in 1493. The name stuck through more than three centuries of British colonisation from 1632-1981, and the island continues to bear it today as part of the nation of Antigua and Barbuda. The native people, however, often call it by its Indigenous Arawak name Wadadli, or ‘Dadli’ for short – from which the filmmaker Shabier Kirchner derived the title of this impressionistic portrait of his home island.

This split – between the island as experienced by outsiders, and by those who call it home – is omnipresent in Kirchner’s film, even as it’s barely addressed by the local voices who narrate. Tourism drives the island’s economy – massive cruise ships hover in and out of a port at the capital city of St John’s with the predictability and regularity of tides. They’re a slow-moving part of the local landscape from the vantage of the nearby neighbourhood known as ‘the Point’, which is both metres and a world away from where tourists disembark, shuffle through fixed routes, and embark again a few hours later.

Tiquan, the 13-year-old at the centre of Dadli, comments that the ships are ‘big and full of white people’, and mentions offering horseback riding tours in the summer – which, at €5 (or just over $5), most tourists deem too expensive. But his life in the Point, as lyrically documented by Kirchner, is more focused by the many freedoms that his side of the bay affords him – smoking marijuana, riding his beloved donkey, fishing and hunting wild animals around the island, and spending time alone in the countryside.

There’s a dreamlike undercurrent to the proceedings, heightened by grainy 16mm film texture and a vivid colour palette. As a meandering-yet-kinetic perspective rounds back-alley corners, capturing men pouring drinks or girls braiding hair, narrators change and musical interludes shift abruptly – sometimes to disorienting effect. Through this stream-of-consciousness style, Kirchner seems to evoke a local spirit and a pace of life not easily contained in just 14 minutes of film – or a day tour.

Written by Adam D’Arpino

Explore more

Digital artwork of a grey hand squeezing a yellow stress ball with a smiley face on a black background.

Cults needn’t fit stereotypes to be dangerous. Here’s how to identify a controlling social group

Video by BBC Ideas

A young boy smiling, resting his chin on his hands, looking at a marshmallow on a table.

What the marshmallow test got wrong about child psychology

Self-control, grit, growth mindset – trendy skills won’t transform children’s lives, but more meaningful interventions can

by Tyler W Watts

Photo of a person holding a tortoise above a container with leaves against a tiled wall.
Psyche Exclusive

High in the Alps, Kathleen takes extraordinary steps to keep a pet safe through the winter

Directed by G Anthony Svatek

Medieval manuscript illustration of three figures talking: a man, a knight with a shield and a shovel-bearer, set in an ornate border.

How the nature of friendship has changed through the centuries

The metamorphosis of this special bond from feudal to modern times reveals much about the aspirations of different societies

by Bénedicte Sère

Illustration of an elderly person in a chair holding a baby touching the child’s finger.

Humans are uniquely reliant on caregivers. This isn’t a weakness, but a wondrous gift

Video by Aeon

Photo of a waiting room with focus on a black hat. A woman reads papers and another looks at her phone in the background.

How to chat with almost anyone

It can be awkward at first, but people are more open to conversation than you think – and it could lead to deeper connection

by Michael Yeomans

A yellow taxi on a busy street, people walking, child holding flowers, historic building in the background under a blue sky.

Confessions of a teenage fundamentalist

My world was dark and scary. But beautiful things crept in, and threats of hell just couldn’t compete

by Liz Boltz Ranfeld

Impressionist painting of a green Japanese bridge over a pond with water lilies surrounded by lush greenery in a garden setting.

Monet understood the elusive power of a place’s atmosphere

The gist of a scene or place can subtly alter our very sense of being, an affecting quality captured by Monet’s paintings

by Pablo Fernandez Velasco