Cameron Allan McKean

Editor, Aeon+Psyche

Cameron is a writer, editor and underwater anthropologist in Melbourne, Australia. After a decade in Tokyo working as an arts journalist, he began doctoral studies at Deakin University involving fieldwork with scientists and divers at coral reefs in the Pacific Ocean. Cameron is a former books and culture editor for The Japan Times, and a past contributor to CNN, ArtAsiaPacific, Dwell, Apartamento, and art-agenda.

Edited by Cameron Allan McKean

An otter rolling on a moss-covered rock, eyes closed in a relaxed pose with a blurry background.

You can think like an animal by silencing your chattering brain

The desire is partly whimsical, but a brief shapeshift across the taxonomic gulf could help us better empathise with animals

by Bryony Tolhurst

Photo of a person driving at night with dashboard lights on and a road visible ahead through the car windscreen.

The reason that even hands-free calls are risky for drivers

Cars are filled with ever more communication and entertainment tech, but our minds are stuck with the same limitations

by Robert Rosenberger

Photo of a brown earthworm on rough grey asphalt in sunlight.

Why, in a universe of pain, I’m saving stranded earthworms

Any action can seem futile amid so much suffering. I’ve realised the important thing is to stop despairing and do something

by Claire E Schultz

Photo of people in a sunny square with bikes and scooters, near Les Tontons and a large building advertisement in Bordeaux.

Your life is not a story: why narrative thinking holds you back

Our stories help us make sense of a chaotic world, but they can be harmful and restrictive. There’s a liberating alternative

by Karen Simecek

Medieval painting of two figures in a garden, one in pink and the other in red, surrounded by plants and a tree.
MUSIC

Why did bloody knights write love songs about spring blossoms?

The masculinity of medieval knighthood was expansive enough for both graphic violence and the joys of a flower meadow

by Jennifer Saltzstein

Ancient Greek marble relief showing three figures in a carved scene.

For Plato, rationalists and mystics can walk the same path

Why did such a keen proponent of reason turn to the Eleusinian Mysteries to explain his ideas about knowledge?

by Sam Woodward

Photo of two people sitting on a rock by a stream surrounded by greenery, one with an arm around the other.

Rewilding attachment theory by recognising Earth as a caregiver

We are raised by people, but we are also raised by the Earth – here’s what that means for our emotional development

by Vanessa Chakour

Photo of two women painting at a table, focusing on one using a pink brush.

Dementia is not a death. For some, it marks a new beginning

Advocates are reframing the syndrome as a different way of being – one in which potential for growth and connection endures

by Isabel Sutton