Cameron Allan McKean

Editor, Aeon+Psyche

Cameron is a writer, editor and underwater anthropologist in Melbourne, Australia. After a decade in Tokyo working as an arts journalist, he began doctoral studies at Deakin University involving fieldwork with scientists and divers at coral reefs in the Pacific Ocean. Cameron is a former books and culture editor for The Japan Times, and a past contributor to CNN, ArtAsiaPacific, Dwell, Apartamento, and art-agenda.

Edited by Cameron Allan McKean

A cremation ceremony at night on a riverbank, surrounded by fires, people and historical buildings.

They keep the Hindu funeral pyres burning, but at what cost?

For the men and boys of the Dom community in Varanasi, sacred cremations demand a lifetime of exhausting, dangerous labour

by Radhika Iyengar

A marmot peeking from grass in a valley with mountains under a blue sky with clouds.

What if animals find beauty in the world, just like we do?

Chimpanzees favour the colour red. Junglefowl prefer symmetry. Our shared capacity for aesthetic pleasure is cause for wonder

by Brandon Keim

Monks in colourful robes and hats, forming a circle during an outdoor festival with flags and onlookers in Tibet.

Complexity science can deepen your mindfulness practice

What if ‘stress reduction’ is the least interesting thing mindfulness does? Complexity science offers new ways forward

by Pavel Chvykov

An otter rolling on a moss-covered rock, eyes closed in a relaxed pose with a blurry background.

You can think like an animal by silencing your chattering brain

The desire is partly whimsical, but a brief shapeshift across the taxonomic gulf could help us better empathise with animals

by Bryony Tolhurst

Photo of a person driving at night with dashboard lights on and a road visible ahead through the car windscreen.

The reason that even hands-free calls are risky for drivers

Cars are filled with ever more communication and entertainment tech, but our minds are stuck with the same limitations

by Robert Rosenberger

Photo of a brown earthworm on rough grey asphalt in sunlight.

Why, in a universe of pain, I’m saving stranded earthworms

Any action can seem futile amid so much suffering. I’ve realised the important thing is to stop despairing and do something

by Claire E Schultz

Photo of people in a sunny square with bikes and scooters, near Les Tontons and a large building advertisement in Bordeaux.

Your life is not a story: why narrative thinking holds you back

Our stories help us make sense of a chaotic world, but they can be harmful and restrictive. There’s a liberating alternative

by Karen Simecek

Medieval painting of two figures in a garden, one in pink and the other in red, surrounded by plants and a tree.
MUSIC

Why did bloody knights write love songs about spring blossoms?

The masculinity of medieval knighthood was expansive enough for both graphic violence and the joys of a flower meadow

by Jennifer Saltzstein