Human evolution
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Why it took us thousands of years to see the colour violet
The colour violet was largely missing from art before the Impressionists, and is seen differently by different cultures. Why?
by Allen Tager
Beauty and aesthetics
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What happens if we make the Mona Lisa more symmetrical?
The Golden Ratio and symmetry are two universal rules of beauty. The problem is they conflict with one another
by Manil Suri
Artists and art history
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Gentileschi. Let us not allow sexual violence to define the artist
Artemisia Gentileschi’s body of work has been framed by her personal history. Her paintings should speak for themselves
by Eliza Apperly
Neurodiversity
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When the mind is dark, making art is a thrilling way to see
For aphantasic artists with no mind’s eye, creating paintings is a way to experience the mental pictures they can’t see
by Adam Zeman
Painting and sculpture
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Looking at portraits with an eye to evolutionary psychology
Why our understanding of Jean-François Raffaëlli’s ‘Roadman’ portrait can use a little help from evolutionary psychology
by Dan Sperber
Beauty and aesthetics
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Why art seems more beautiful when you can see yourself in it
Research suggests that people find artworks more aesthetically pleasing when they’re personally relevant to them in some way
by Matt Huston