NOTE TO SELFFOOD AND DRINK

The dissonance of meeting what you eat

There were about seven birds of different colours that I used to see wobble around my neighbour’s urban chicken run. I frequently passed it on the sidewalk. Peering through the fence, I’d feel a bit of unease. I was a not-quite-vegetarian then: I’d given up some meat due to concerns about animal welfare, but still ate chicken. Yet here I was, charmed by these same feathered creatures.

What I felt was cognitive dissonance, a concept first described by the psychologist Leon Festinger in the 1950s. It’s the psychological discomfort someone experiences when what they know or believe is inconsistent with what they do. For instance, you might believe it’s wrong to lie but do it anyway, or know that a major corporation is harming people but still buy its stuff – and that might cause you some internal disharmony. Sometimes, people deal with that by rationalising their behaviour (eg, ‘everyone else does it’). Other times, they change.

A new paper by the researchers David Fechner and Sebastian Isbanner suggests that my increasing cognitive dissonance may have put me over the fence (so to speak) into vegetarianism. They compared several groups of people: those who ate meat and had no plans to change; those who were considering no longer eating meat; and those who had actually made the change. They found that cognitive dissonance (gauged by how uneasy, uncomfortable, etc one felt thinking about eating meat) was higher in the potential-vegetarian group than among the meat-eaters, and higher still among vegetarians.

Other factors differed too, such as how feasible a vegetarian diet seemed to them. But according to the researchers, the results suggest that cognitive dissonance helped to explain why some people who believed in vegetarianism’s benefits actually adopted it. When it comes to morally loaded behaviours, believing might not be enough. Our conflicts might have to stare us in the face.

by Matt Huston

FIND OUT MORE

If you’re contemplating going meat-free yourself, the Psyche Guide ‘How to Go Vegetarian or Vegan’ (2022) by Reed Mangels explains how to do it in a planned and satisfying way.

The initial spark for my eventual dietary shift was the book Eating Animals (2009) by Jonathan Safran Foer.


NOTE TO SELFETHICS

How will the future judge us?

Listen to this article

Daguerreotype of a seated man wearing an apron and a partially open shirt framed in a gold mat.

If we’re honest with ourselves, most of us can probably think of something we are doing, or declining to do (or supporting, or buying into) that is likely to strike people of the future as an obvious example of a moral failure. Human choices are sometimes badly at odds with human ideals and, in many cases, that seems to become clearer to everyone in the rearview mirror.

I got a fresh reminder of this while recently watching the PBS documentary series The American Revolution (2025). If you know anything about that revolution, it’s hard to miss the disconnect between its lauded ideals – including the assertion, in the Declaration of Independence, that ‘all men are created equal’ – and the slavery upheld by many of the nation’s founders.

The documentary also highlights a less-known detail about the Declaration. In a draft of the colonies’ complaints against the British crown, Thomas Jefferson, himself an ‘owner’ of people, blamed the king for the Atlantic slave trade and, incongruously, called it a ‘cruel war against human nature itself’.

What’s stuck with me in particular is the way the historian Annette Gordon-Reed then sums up Jefferson’s relationship to slavery. ‘From the beginning to the end, this institution bounded his life, even though he knew it was wrong,’ she says. ‘How could you know something is wrong and still do it? Well, that is the human question for all of us.’

For me, her remark is an invitation to reflect. Hopefully, for most of us, our current behaviours don’t include anything that will be as terrible to our descendants as enslavement is to us. But the excuses we might give for acting or not acting now are likely to seem much thinner to someone living 250 years from now. And that, I think, casts a brighter light on our choices.

by Matt Huston

FIND OUT MORE

In her article ‘Whose Independence?’ (2025) for The Atlantic, Annette Gordon-Reed tells the story of African American writers who, going back to the revolutionary era, challenged their country to recognise the implications of its own stated ideals.

The Aeon Essay ‘Moral Progress Is Annoying’ (2024) by Daniel Kelly and Evan Westra explores why even positive changes in moral standards often cause irritation and dismissiveness at first.


NOTE TO SELFEMOTION REGULATION

Finding solace in Murderbot

Listen to this article

A person wearing a futuristic robotic suit walking through a lush green forest.

A science fiction fan in my teens, I recently decided to dip my toes in the genre again. When I asked Claude for recommendations, it suggested the Murderbot Diaries (2017-), a book series by Martha Wells, about a half-robot, half-human ‘construct’ with a rich emotional life (maybe Claude was dropping me a hint?)

Murderbot is designed to be a SecUnit for protecting humans on space missions. It manages to deactivate its ‘governor module’ granting it the ability to make free choices. If you’re interested in the limits and ethics of machine intelligence, you’ll find the series compelling. But that’s not its only appeal, especially if you’re someone with non-optimal levels of angst and self-consciousness.

The novellas are told through the inner monologue of Murderbot. Its wry, detached observations about its own emotional and social discomforts can be hilarious and surprisingly relatable. On occasion, I’ve found myself emulating its narrative style in my own head, and it can be an odd comfort.

For example, you know that panicky feeling when someone expects you to open up? Murderbot describes one such instance in Book 1, All Systems Red: ‘I had cycled out of horrified that they wanted to talk to me about my feelings into grateful that she had ordered them not to.’

Murderbot is effectively modelling how to notice your own inner thoughts and feelings from a distance – similar to how an ACT therapist might coach you in ‘defusion’ with prompts such as: ‘So, what’s your mind telling you now?’

There is an irony in a fictional form of machine intelligence helping us to feel more normal – more human – about our own insecurities. But as Jason Sheehan put it so well in a review for NPR: ‘we are all a little bit Murderbot.’

by Christian Jarrett

FIND OUT MORE

Read an interview with the Murderbot author Martha Wells at Scientific American, covering personhood, neurodiversity, and how contemporary forms of AI compare with those depicted in her books.

For a simple way to create psychological distance from your thoughts and feelings, try this simple linguistic trick that was explained in a Psyche Idea by the social psychologist Ariana Orvell.


How I became more facially expressive

Listen to this article

A man in a hoodie on a phone walking past a wall with posters and graffiti-covered advertisements.

For most of my life I was not, I don’t think, a very facially expressive person. I’m ethnically Korean, and we tend not to move our faces too much (partly because it’s just the norm, along with a shared cultural concern that it encourages wrinkles). Even when telling a dramatic story, big expressions never felt natural to me, the way they seemed to be for others, and I’d wonder whether the restraint on my face was limiting my ability to connect with people.

It’s not an absurd idea. Research from 2024 concluded that being facially expressive is socially advantageous, suggesting it might lead others to like you more and see you as more agreeable. Another study found that expressiveness predicted how attractive people seemed to others.

My relationship to facial expressiveness started to change about three years ago, when I started learning American Sign Language. ASL is a language of the body. Individual signs provide a vocabulary, but much of the grammar and descriptive nuance comes from how you move your body and face. Suddenly, my stiff and muted facial expressions became a fluency issue, getting in the way of my legibility as a signer.

Signing ‘I like’, for example, communicates something far different when you do it with bright eyes and strong movements compared with signing it with a shrug and noncommittal expression. I’ve learned to make these distinctions clear across my face.

Over time, I’ve noticed a difference – I am more expressive now with everyone, not just when I’m signing. This, in turn, has made me feel more outgoing in conversation. I have a hunch that people now perceive me as friendlier.

Sometimes, when I’m feeling tired or shy, I’ll notice myself under-expressing, slipping back into my old ways. In those moments I remind myself that showing your feelings on your face is rewarding, and a way to invite greater understanding.

by Hannah Seo

FIND OUT MORE

The Psyche Idea ‘Speaking a Different Language Can Change How You Act and Feel’ (2024) by Antonella Gismundi explores how changing from one spoken language to another can affect speakers’ sense of self.

I wrote more about learning ASL in The New York Times Magazine in the article ‘How Sign Language Can Help Us All Be Better Communicators’ (2025), describing how the physicality of this tactile language and its grammar butted up against the instinct for precise language.


NOTE TO SELFPOETRY

Existential crisis? Try reading Wordsworth

Listen to this article

Portrait painting of a man in a thoughtful pose with hand on head wearing a dark coat and white cravat against a dark background.

William Wordsworth was just a few years younger than I am now when he wrote the ageless poem ‘Ode on Intimations of Immortality’ (1807). He laments the falling away of his childhood as it departs ever further into memory:

It is not now as it hath been of yore;–
Turn wheresoe’er I may,
By night or day.
The things which I have seen I now can see no more.

I too sense a receding past, as childish certainties are replaced by rather harrowing questions: what am I doing here? Is this it? What does my life mean? As I become increasingly aware of the finitude of my days, my desire for answers grows more urgent.

These sorts of questions can induce a sense of existential imbalance, even crisis. Two great American philosophers, William James and John Dewey, had crises of just this sort when their sense of purpose seemed to evaporate. And they both navigated their angst in a similar way.

For James, an episode of intense crisis was alleviated by poetry, when he read of: ‘Authentic tidings of invisible things … subsisting at the heart / Of endless agitation.’ It gave him a sense, he wrote, of freedom. For Dewey, relief came in the form of a full-blown epiphany, which he later gamely tried to articulate: ‘everything that’s here is here, and you can just lie back on it’. The poet who aided both philosophers? Wordsworth.

So I read his masterpiece, The Prelude (1850). He too describes finding moments of poetic lucidity that unburdened him of a certain human painfulness. When he climbed Mount Snowdon, he recognised – in a flash – that an impersonal God speaks through nature, that love is the fount of all that’s worthy, and that suffering is necessary for true creativity: pertinent answers to pertinent questions. Though mine still remain.

by Sam Dresser

FIND OUT MORE

On the Romantic (though German) generation of poets and thinkers, you could hardly do better than this Aeon Essay by Andrea Wulf, ‘The First Romantics’ (2022).

William James has been fortunate enough to find a brilliant expositor in John Kaag. His Aeon Essay ‘The Greatest Use of Life’ (2018) is a classic.

Explore more

Photo of a person collecting rubbish, including cans, on a snowy mountain peak with a mountainous landscape in the background.

It’s not only political conservatives who worry about moral purity

You might think the political Right is more focussed on morals than the Left. But purity is a pervasive political value

by Kurt Gray, Will Blakey & Nicholas DiMaggio

Old photo of a girl standing in a dirt lane between wooden houses with people walking in the background.

Young children use reason, not gut feelings, to decide moral issues

It’s not just ‘gut feelings’: humans form moral judgments that align with moral principles and beliefs from a young age

by Audun Dahl

Photo of a man in an old car filled with carrots in the backseat parked next to a red truck.

Do you have a duty to tell people they’re wrong about carrots?

How to decide whether you should correct someone’s false beliefs about carrots, vaccines and South American dictators

by Giulia Terzian & M Inés Corbalán

Photo of a person with a face mask carrying large bags of plastic bottles on a city street with cars in the background.

You want people to do the right thing? Save them the guilt trip

If you want to inspire people to do the right thing, don’t guilt-trip them. Positive emotions are a more powerful motivator

by Claudia R Schneider

Illustration of a courtroom with animals as participants, a lion as the judge, and various creatures in the jury box.

What our use of animal-based slurs and endearments says about us

The image of the adorable kitten and the insult of calling someone a ‘pussy’ have more in common than you might realise

by David Egan

Woman in a blue dress eats while sitting next to a blue bike with a paper bag on the handlebar, against a leaf-patterned wall.
ETHICS

Psychology can help us as individuals avert the climate crisis

From the ‘value-action gap’ to the ‘moral licensing effect’, insights from psychology can help individuals become greener

by Beth Parkin

Photo of four people outdoors eating chips with sauce from trays on a cobblestone street with buildings in the background.

Practise ‘intuitive eating’ and feel a lot happier about food

Practise ‘intuitive eating’ and free yourself from worrying about food and the ricochet between dieting and indulging in it

by Charlotte H Markey

Black and white photo of a woman covering her mouth with her hand in a crowded room.

How ‘feelings about thinking’ help us navigate our world

The pleasant feeling of knowing, the frustration of forgetting, and other ‘metacognitive feelings’ serve as unsung guides

by Pablo Fernandez Velasco & Slawa Loev