NOTE TO SELFOCD

Forever compelled

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Woman in historical dress washing her hands with water poured by a child from a jug, with onlookers in an ornate interior setting.

Having a history with obsessive-compulsive disorder (OCD), I’ve long found it fascinating and, in a way, reassuring to read about the disorder’s many guises. The anxious thoughts and compulsive responses to them follow a common script, but the specifics vary. What seems horrible to one person with OCD, such as using a restroom without extensively washing their hands, might seem innocuous to the next person, who’s preoccupied by something completely different (such as worrying and repeatedly testing whether doors are locked, or having ‘bad thoughts’ and scrutinising what they mean). Reflecting on this merry-go-round of fears tells you something about the true nature of your specific, seemingly terrible fear.

A book I recently read showed me another dimension of this multiplicity – stretching it backward in time. In portions of Can’t Just Stop: An Investigation of Compulsions (2017), the late science journalist Sharon Begley surveys compulsions of the past. Based on rare historical accounts, she writes, it seems that ‘until the late seventeenth century, [compulsions] were seen as evidence of Satan’s hand and addressed by clergymen.’ Some of them featured the scrupulosity that still appears in many OCD cases today – for example, compulsively praying, fearing you’ve not done it right.

But other variants emerged in the record. A Renaissance-era physician described a patient who felt compelled to wash her clothes after touching things. Later, Begley writes, changes such as the spread of household stoves encouraged compulsive checking (eg, checking and rechecking whether you left the stovetop or oven on, a well-recognised pattern today). In what sounds a lot like an OCD compulsion, the 18th-century writer Samuel Johnson would reportedly touch each lamppost as he walked down the street, ensuring he didn’t miss any. The disorder took on new faces, and the explanations for it evolved. But its insidious power appears to be age-old.

by Matt Huston

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For an excellent, concise description of OCD and ‘scrupulosity’ in particular, read Jesse Summers’s Psyche Idea ‘Why Won’t the Sin Wash Away? When Thinking Ethically Goes Awry’ (2020).

Nick Wignall’s Psyche Guide on ‘How to Deal With Troubling Thoughts’ (2020) offers advice for handling the intrusive, unwanted thoughts that are a common feature of OCD.

The International OCD Foundation lists many of the common types of obsessions and compulsions and has a series of articles on subtypes of OCD.


NOTE TO SELFDIFFICULT EMOTIONS

Vintage clothes: a balm for my perfectionism

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I’m a perfectionist, and it’s not cute. I get stuck in an anxious loop thinking I’ve said the wrong thing; I put off tasks because, try as I might, I struggle to accept the idea that perfect is so often the enemy of good; a ladder in my tights drives me to distraction. My perfectionism feels like an embarrassing character flaw.

I also love fashion, and, in recent years, I’ve developed a love of vintage clothes. I’ve always been drawn to the styles of the past, and moving to a bigger city gave me access to a wealth of vintage shops.

Being a vintage-loving perfectionist has its challenges. Flaws are inescapable: loose threads, tugged seams, a faint discolouration. While wearing a 1930s bias-cut dress to a wedding, I noticed a tear near the hem. Was I responsible for that hole? Or did another woman’s high heel pierce the fabric on a different dance floor 90 years earlier? It was impossible to know, and somehow that uncertainty let me off the hook. Instead of worrying about whether I’d caused the damage, I decided to delight in the idea that I’d given the dress another great night out, and twirled my way back onto the dance floor. That kind of thought process doesn’t come naturally to me, but every encounter with a vintage item gives me a chance to practise accepting the discomfort of imperfection.

Each piece of clothing has a story, and it’s often the flaws that tell these stories. By wearing them, I become a part of their story too. In turn, I’m reminded that life leaves its marks on us all. Nothing stays perfect. We can’t undo our mistakes; we can only move forward, wearing the traces of all we’ve experienced – in clothes that feel more and more like our own.

by Freya Howarth

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To read more about the relationship between our clothes and ourselves, I recommend the book Dressed (2019) by Shahidha Bari, as well as her Aeon Essay on the philosophy of clothes, ‘What Do Clothes Say’ (2016).

For advice on managing unhealthy perfectionism, check out Margaret Rutherford’s Psyche Guide ‘How to Get Over “Never Good Enough”’ (2020).


Embrace the monotony

A painting on a wall with a man in a suit standing in profile beside a doorway in an art gallery.

For most of my 20s, I couldn’t brush my teeth, ride public transit, or take a walk without listening to a podcast or audiobook. Silence, I thought, was a waste of time.

But since reading All the Beauty in the World (2023), I’ve been reconsidering my relationship to dull, seemingly empty moments. In the book, Patrick Bringley recounts his decade among the watchful guards of New York’s Metropolitan Museum of Art. Standing in the Met’s echoic halls for hours on end, day after predictable day, he found that, over time, his relationship to the work slowly changed. Initial enchantment with the art gave way to boredom – and then, enlightenment. He surrendered to the ‘turtleish movement of a watchman’s time’, stopped thinking about how much of his shift was left, and let the hours drift.

I think about Bringley’s experience when I have to engage in any long, monotonous task. It might be waiting in line or on hold, vacuuming, folding laundry, or chopping vegetables for dinner. I resist the urge to fill the time with music or podcasts and strive instead for what Bringley calls a ‘princely detachment’ from time, finding the luxury and nuance in the moment.

Bringley noticed patterns in the different kinds of Met visitors. Hanging up my laundry, I notice patterns in how different articles of clothing tend to wrinkle in the wash. Bringley developed an appreciation for artworks that he initially ignored. I pay finer attention to the unique composition of facial features on the faces of people I stand in line with. I am learning, I think, to appreciate the little things.

Of course, it requires constant practice to find the peace and richness in these stretches of time. But your reward comes, Bringley says, when an hour no longer feels an hour long, and you ‘hardly remember how to be bored’.

by Hannah Seo

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For a thoughtful conversation on how to embrace silence, and the meaning that can be found in intimate moments of quiet, listen to the episode ‘How to Sink Into Silence’ from the podcast The Gray Area with Sean Illing.

The Psyche Guide ‘Solitude Can Be Profoundly Restorative. Here’s How to Savour It’ (2025), by the psychologist Thuy-vy Nguyen, offers expert guidance on treating alone time as an opportunity, rather than a boring interlude.


NOTE TO SELFPERSONALITY

What style of curiosity do you practise?

A man stands in a modern room looking at a large pink sculpture of tentacles outside the window.

Is there more than one kind of curiosity? I found myself reflecting on this after reading a recent study about different curiosity styles. An analysis of 483,000 Wikipedia users found that people pursue their curiosity in three ways. Some browse articles as ‘hunters’, targeting ‘specific answers in a projectile path’, and their interests are more likely to be in science and technology. Others are nomadic ‘busybodies’, who explore more, building broad, loose networks of knowledge; they gravitate toward arts, culture and the humanities.

A third group are the ‘dancers’ – a little harder to define, they tend to leap ‘in creative breaks with tradition across typically siloed areas of knowledge’, taking an unstructured and inventive approach to information-seeking, across radically different subjects.

This made me wonder what kind of curious I am. When I’m reporting as a science journalist, I tend to adopt the ‘hunter’ style. This helps me meet deadlines, but am I missing out on the serendipity of discovering knowledge like the busybody or the dancer? I’d like to believe I’m curious about the world, but realising that other people’s curiosity might be more nomadic or creative gives me pause.

Another downside to the hunter style is that it’s associated with what’s called ‘deprivation curiosity’. This is the desire to banish the discomforts of uncertainty and lack of knowledge. It can lead people to accept easy answers or false facts. It also correlates with overconfidence in one’s worldview, and lower wellbeing. I hope I’m not motivated by deprivation curiosity when I’m hunting knowledge, but I can’t guarantee that’s always true.

The psychologist William James described curiosity as ‘the impulse towards better cognition’. If I take his words and the Wikipedia study to heart, perhaps I ought to be more curious about my curiosity.

by Richard Fisher

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Dive deeper into the psychology and neuroscience of curiosity in this open-access review paper by Celeste Kidd and Benjamin Hayden. It explores what’s known to scientists about the function, evolution and neural mechanisms of curiosity – and what unanswered questions remain.

Read the Psyche Idea ‘This Is How to Nurture Curiosity in Children (and Yourself)’ (2023) by Shayla Love, to discover how to foster a curious mindset in the young people in your life.


NOTE TO SELFDECISION-MAKING

For maximisers, bad choices really sting

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A dimly lit street with parked cars at night. A building has a large, vertical “HOTEL” sign illuminated.

Recently, I got food poisoning on holiday. I guzzled a glass of water from the hotel bathroom tap, after missing a sign saying it wasn’t drinkable. I regretted that decision, but what nagged at me more was something else: my choice of hotel in the first place.

Before a holiday, I often agonise over where to stay, weighing up every hotel I can find, with the goal of finding the very best option. Psychologists would call me a ‘maximiser’. Other people (like my partner, for one) are ‘satisficers’ who evaluate fewer options and choose one that’s ‘good enough’. Since the 2000s, maximisers have become of interest to psychologists because they often report greater regret and dissatisfaction with their choices afterwards. It seems their forensic searching for the ‘best’ reveals more options, but also inflates expectations of perfection and, once they’re locked in, they are painfully aware of all the rejected alternatives. One paper from 2024 suggested such habits can spoil a holiday.

In my nausea, I couldn’t shake the feeling that, in a parallel universe, I was enjoying another hotel sickness-free. So, since then, I’ve tried not to maximise so much, especially for semi-arbitrary choices. I might not find perfection but, according to the research, I’ll feel better about it.

My tactical satisficing has felt even more justified since I learnt recently about the work of the historian Sophia Rosenfeld. In an essay for Psyche’s sister site Aeon, she traces how and why choice became a fundamental right in Western societies – and why that right has created many problems. Choice, she argues, is not the same thing as freedom.

Clearly, it’s a luxury to have choices in life: many people don’t. But what I take from all this is that I could decide to be more mindful about how I choose.

by Richard Fisher

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If you like Sophia Rosenfeld’s Aeon Essay, ‘The Explosion of Choice’ (2025), you can dive deeper into her historical research about the roots of choice in her book The Age of Choice: A History of Freedom in Modern Life (2025).

To learn more about making tricky choices, check out the Psyche Guide ‘How to Make a Difficult Decision’ (2022) by Joseph Bikart.

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