The windshield wiper

15 MINUTES

Surreal vignettes form a meditation on love in this Oscar-winning short

While chain-smoking cigarettes in a noisy café, a man wonders aloud: ‘What is love?’ From this starting point, the Oscar-winning animated short The Windshield Wiper (2021) contemplates this enduring question via a series of loosely tethered vignettes, depicting human connection in many of its complexities and contradictions. In his vision, the Spanish director Alberto Mielgo presents the concept as, by turns, ephemeral, exciting, tragic, passionate and poignant. A woman and man exchange fleeting glances at a motel before retreating into their rooms. An older man stands still in front of a grave adorned with fresh flowers. Text messages bounce off a satellite dish and back to Earth, relaying two lovers’ messages the day after a first tryst. A young woman takes her own life.

Mielgo is perhaps best known for some of the oddest and most ambitious entrées in Netflix’s animated sci-fi anthology series Love, Death & Robots (2019-). His unmistakable 3D style adorns realistically proportioned bodies and backgrounds with impressionistic flourishes. Here, his magnetic visuals work alongside the central theme to join the disparate sequences into a hazy whole. This magical realist sensibility proves to be a perfect canvas for his patchwork meditation, which, drawn from his own experiences, still feels expansive and, at times, surely relatable for most viewers. Standing in stark contrast to more idealistic and romantic depictions of love presented on film, and especially in animation, Mielgo builds a work that endeavours to be as disjointed and surreal, as opaque and multifarious, as the experience itself.

Written by Adam D’Arpino

Director: Alberto Mielgo

Producer: Leo Sanchez

Explore more

Photo of a cross in the sky with a blurred rainbow-coloured flag in the foreground.

Severe joy

I wanted conviction to tell me if I could be gay and Catholic. My convictions told me something bigger

by Will Martino

Abstract painting with bold orange, yellow, blue and black curves and shapes overlapping dynamically.

A kaleidoscope? A milestone? Beyond description? Women put orgasms into words

Directed by Bronwen Parker-Rhodes

Illustration of a couple holding hands walking past a giant cheque that unravels to reveal a scenic view of a bridge over a river and the Eiffel tower.
LOVE

My swindler sweetheart

I was a pushover with a habit of picking cheating men as boyfriends; then one of them pushed me too far

by Patricia Olsen

Oil painting diptych of a man rowing a boat and a woman in blue with a green background.
LOVE

Two lives drift apart and come together in a love story told one brush stroke at a time

Directed by Ian Bruce

Vintage photo of two women in Victorian attire, one in a patterned dress looks at the other who wears a fur-trimmed coat.

You don’t need perfect features to be physically beautiful

New research reveals that physical attractiveness is more about personal compatibility than meeting universal standards

by Annett Schirmer

Black and white photo of a man and woman sitting under an umbrella; the woman leans on the man’s shoulder.

True contact is found in silence

For Emil Cioran, ‘true contact’ with another is the deep intimacy that emerges through mute togetherness

by Sam Dresser

Illustration of a simple cartoon figure with a bob haircut wearing a green crop top and red skirt on a light background.

Growing pains, bras, size, sex – a group of women get candid about all things boobs

A film by Subarna Dash and Vidushi Gupta

An elderly man smiling broadly with sunglasses on, reclining on a floral lounge chair beside an elderly woman outdoors.
LOVE

Does it matter if your romantic partner is similar to you?

From traits like extraversion to specific habits, there are many ways a couple can match. New research tests whether it helps

by Phuong Linh L Nguyen & Moin Syed