The voices that stick in our minds

Black and white photo of an older man who is Christopher Walken in a suit gesturing while speaking into a microphone.

The sound of Christopher Walken’s voice is so embedded in my memory that it takes hardly any time to place it, even when it comes from the mouth of, say, a squirrel in a TV ad. Few celebrity voices are easier to recognise – or inspire more imitations – than his.

Is there some intrinsic quality that makes voices such as Walken’s especially memorable, whether they’re famous or not? While my own voice probably melts into the background for most who hear it, when I think of highly recognisable voices, some ordinary people spring to mind: a sixth-grade teacher, my cross-country coach, etc. Maybe others who heard them felt the same way.

Wilma Bainbridge and her colleagues had already found that some faces are more memorable than others – more likely to be recognised not just by one observer or another, but by people generally. The same has been found for objects, words and works of art. In a recent set of studies, Bainbridge, Cambria Revsine and Esther Goldberg at the University of Chicago explored whether voices differ in their memorability as well.

Thousands of participants listened to a series of clips: a procession of different voices that each spoke the same words (eg, ‘Don’t ask me to carry an oily rag like that’). The listeners’ job was to report when the same voice was repeated. Their success rates allowed the researchers to find out whether certain voices were more memorable on the whole.

Some voices were, indeed, stickier than others. The team also found evidence that quantifiable voice characteristics, such as the base pitch and speed, were collectively predictive of voice memorability. These results raise the possibility, the researchers say, that: ‘Tools could be developed to enhance the features that contribute to voice memorability’ – making a not-so-memorable voice, perhaps, a bit more Walkenesque.

by Matt Huston

FIND OUT MORE

The Psyche Guide ‘How to Find Your Voice’ (2023) describes practical techniques for vocalising more comfortably and confidently.

The documentary I Know That Voice (2013) looks at the work of actors such as Pamela Adlon, Phil LaMarr and Tom Kenny (the voice of SpongeBob SquarePants), whose job it is to create memorable voices.


To see your home city anew, try this

A traffic light showing a green transgender symbol in front of a historic city square with statues and buildings.

One of my favourite walking routes though London goes from Waterloo Bridge to the London Eye, across the Thames to Big Ben, up Whitehall, and on to Soho for much-needed refreshment. But this spring, when a friend was visiting me from the United States, something happened on that familiar walk that made me see my home city with fresh eyes.

At a crossing by Trafalgar Square, she stopped in her tracks, though the lights were green. ‘What’s that?’ She pointed to the light flashing, not with the usual walking man, but with two female symbols, intertwined. ‘Oh that,’ I said shrugging. ‘The gay traffic lights of London.’ They’d gone up years ago, for the annual Pride Festival, and were so popular, they’d stayed – a little like my friend and I, who had a blast running back and forth between crossings so she could photograph all the LGBTQ+ symbols. Though she lives in San Francisco with her wife, these lights tickled her pink – and now they had the same effect on me.

This is an example of what the social psychologist Clayton Critcher at the University of California, Berkley calls the ‘vicarious construal effect’. By seeing an experience through someone else’s eyes, you can capture a feeling you’ve lost – or one you never even had. In an interview, Critcher said: ‘Simply trying to think about what someone else might see actually changes the way we see and interpret what we’re doing, changes the emotions we feel.’

This effect works whether rediscovering your hometown or more fully understanding another’s lived experience. So next time you notice yourself becoming oblivious to the place where you live, try to see it through the eyes of a visitor. Or better still, invite one over and share their perspective.

by Elena Seymenliyska

FIND OUT MORE

For looking at the world with the wide eyes of a child, check out the Psyche Guide ‘How to Revive Your Sense of Wonder’ (2022) by Frank Keil.

And for more on the joys of exploring with an open mind, follow the Guide ‘How to Wander’ (2023) by Jordan Fisher Smith.


Are people less talkative these days?

Four people enjoying churros with coffee at an outdoor cafe table, engaging in conversation and laughter.

Occasionally, I have what feels like an extraordinarily talkative day, loaded with meetings, calls or friendly chatter. Maybe you can relate. It seems natural enough to wonder, then: what’s an ‘ordinary’ amount of talk?

If you look up how many words we speak per day, you’ll find varying estimates online. Often, they’re linked to gender – specifically, whether it’s true that women talk more than men. A widely cited 2007 study of university students suggested not.

However: scientists recently published an update based on a more diverse sample of talkers. Their data comes from previous studies in which people of various ages – in the United States, Australia, Serbia and Switzerland – were audio-recorded as they went about their days. On the whole, they found that women (at an estimated 13,349 words per day) did tend to speak more than men (11,950), on average. The evidence was ‘conclusive’ only for adults aged 25 to 64 (women: 21,845 words per day; men: 18,570).

It’s tempting to mention this finding to my wife and our couple friends to see what sort of debates (or nods of recognition) ensue. But another key finding is huge variation, regardless of gender: one man produced fewer than 100 words per day, some people more than 120,000; the overall average was around 13,000. This makes me wonder where I’d fall on the wide spectrum between mime and telemarketer. Short of my own personal electronically activated recorder (or EAR) study, I’ll never know for sure.

Finally, with eyes affixed to our screens, we might wonder if people do less actual talking than they used to. Well, for each year that passed between 2005 and 2018, study participants spoke about 300 fewer words per day. If that finding holds up, it could mean we’ve shed thousands of words per day in recent years.

by Matt Huston

FIND OUT MORE

Does some part of you wish you were talking to others more than you do now? Check out the Psyche Guide ‘How to Come Out of Your Shell’ (2025) by Christian Jarrett.

The story ‘The Anti-Social Century’ (2025) by Derek Thompson in The Atlantic dives into the long-term decline in socialising among people in the US.


NOTE TO SELFJOY

A way to enjoy more positive mental images

A person drinking next to a large poster depicting steaming coffee cups on a green background.

I spotted an old beach ball in my shed the other day and I was suddenly transported to a joyful memory of running and splashing with my children on the sand at low tide. Psychologists call this ‘positive involuntary mental imagery’ – and they’re testing out ways to deliberately seed more such images (not least because experiencing them is associated with being more optimistic and less depressed). It’s early days for the research, but there’s no reason why we can’t try out one of the methods for ourselves.

To give it a go, take some photos from your daily life, such as what you see when you first get up in the morning; your trip to work; or from a typical evening out. Next, for each photo, combine it in your mind with a positive word, such as ‘pleasant’, ‘success’ or ‘triumph’, to create a completely new imagined scene. For instance, say you took a photo of your morning coffee cup. You’d look at the photo and, to combine it with the word ‘pleasant’, you could create a mental image of yourself sitting by a campfire with friends, savouring a hot chocolate from the mug. The idea is that when you encounter the real objects in the photos – such as your morning coffee cup – it serves as a trigger for the associated imagined scene while you go about your daily life.

A team led by Mahdi Bagheri at Ruhr-Universität Bochum in Germany – and including the Psyche author Simon Blackwell – enjoyed modest success with this very approach in a recent study published in the journal Memory. They think one trick to boosting the technique’s effectiveness is choosing the right photos – distinct enough to create a memorable association with the positive mental image you created (for the example above, try photographing your mug from an unusual angle), but not so unusual that you never actually encounter the trigger in your daily life.

by Christian Jarrett

FIND OUT MORE

Simon Blackwell’s Psyche Idea ‘It’s Possible to Help More Positive Images Pop into Your Mind’ (2021) provides more background on the science of positive involuntary mental images and ways to induce them.

For a broader overview, this article in The Psychologist looks at the research into involuntary autobiographical memories.


I’m trying a different approach to listening

Two colourful birds on a branch one with wings spread against a blurred background.

Lately, I’ve been trying to be a better listener by using Carl Rogers’s technique of ‘unconditional positive regard’ (UPR), an idea I learned about on a recent psychology course. UPR refers to nonjudgmental acceptance of, and care for, a person – regardless of whether you agree with the things they say, think and do. It doesn’t suggest that you ignore or permit harmful behaviour, only that an individual should not have conditions they need to meet for them to be worthy of warmth and support.

When I first heard about UPR, it struck me that one reason it might be so powerful is that we very rarely come across this nonjudgmental approach in our daily lives. From socialising to contributing in meetings, it can often feel as though we’re being assessed in various ways. I thought about how comforting it is when you know you’re being held in a positive regard that isn’t going to waver, even if you have an off day or make an error – and whether this was something I could more intentionally foster for the people around me.

In practice, this has meant resisting the urge to jump in with advice, which I’ve noticed is often infused with judgment, and attempting to listen without necessarily looking for a solution. It’s revealed more of my own biases and thought patterns – such as the way I sometimes default to ‘I would/wouldn’t have done X’, rather than understanding where the other person is coming from. It’s meant asking more questions and being increasingly mindful of my nonverbal communication, such as avoiding facial expressions that communicate surprise or disagreement. Granted, I fail every day to uphold the aims of UPR, but the process of attempting it has increased my capacity for compassion – and a happy side-effect is that I seem to judge myself a little less now, too.

by Molly Williamson

FIND OUT MORE

The Psyche Idea ‘Why Listening Well Can Make Disagreements Less Damaging’ (2024) by Guy Itzchakov provides a summary of research showing how high-quality listening, incorporating a nonjudgmental approach, can reduce extremist and prejudiced views, encouraging more nuanced and complex beliefs.

For a reflective personal account on using Rogers’s theories to become a better listener, try the Aeon Essay ‘The Art of Listening’ (2022) by M M Owen.

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