NOTE TO SELFEMOTIONS

Why kama muta is an emotion worth seeking

Listen to this article

2 minute listen

A bearded person gently cradling a newborn wrapped in a patterned blanket by a window in soft light.

On a beautiful day in early summer, four friends and I decided to picnic and paint in the park. We brought along small squares of watercolour paper split into quadrants, sat in a circle, and took turns painting how we saw each other. These depictions could be abstract or literal: one person did colour swatches of how they interpreted your aura, another person painted objects representing your hobbies and passions. At the end, I got my paper back with four painted interpretations of myself, each done by a different friend.

As I looked at these artistic renderings and considered the close attention my friends had paid me to complete them, I felt a warm swell of emotion and got a little choked up. In that moment, I couldn’t quite define the feeling. It wasn’t exactly joy, nor was it appreciation or pride, but something else. Later, I found the answer in a psychology research paper: it was kama muta.

About a decade ago, the anthropologist Alan Fiske saw a gap in the English language. There was no general term for the emotion of being moved or touched by moments of sharing and connection – such as when you hold a baby for the first time, listen to a loved one’s eulogy, or feel profoundly linked to others at a religious or social gathering. Moments like these can produce a warm and fuzzy feeling, sometimes accompanied by tearing up, getting choked up, or the urge to go ‘aww’. Fiske and his colleagues labelled it kama muta, derived from a Sanskrit term that means ‘moved by love’. Experiencing this positive emotional response, they argue, helps to motivate continued engagement in the relationships that spark it.

For me, knowing about the power of kama muta is a useful nudge toward greater bonding in my relationships. Now I look for opportunities to cultivate it where I can, as my friends and I did that day in the park – sharing care and attention so freely that it moved us.

by Hannah Seo

FIND OUT MORE

Alan Fiske describes kama muta further, including how it differs from love, in the Aeon article ‘Kama Muta: A New Term for That Warm, Fuzzy Feeling We All Get’ (2019).

If you’d like to go deeper on the scientific research about kama muta, you can check out a recent review on the subject by Fiske and colleagues in the Annual Review of Psychology.


NOTE TO SELFMENTAL HEALTH

Stargazing really is good for the soul

Listen to this article

A full moon shining through clouds in a dark night sky above silhouetted treetops.

Recently, I met a group of people in Chile who not only embrace the dark, but actively seek it. I was visiting the telescopes of the Atacama desert, which has astonishingly clear, dry skies, perfect for astronomy. Here, light is strictly controlled. Signs reading ‘Dark Is Beauty’ encourage people to switch off, close blinds, and even drive without headlamps. The reward is a night sky so vivid you can see other galaxies with the naked eye – such as the Magellanic Clouds, appearing as pale green smudges on the black.

Back home, this led me to read a thought-provoking 2024 paper by the psychologists Christopher Barnes and Holli-Anne Passmore, proposing a ‘Night Sky Connectedness Index’. They argue it’s important to measure people’s relationship with the night sky (or lack of it), because, in a world where artificial light is obscuring the stars, we may be losing mental health benefits. It’s well known that people with a strong connection to nature have better wellbeing. Such individuals are more likely to flourish, function well psychologically, and report higher levels of personal growth. Yet Barnes and Passmore point out that the literature supporting this relationship has mainly focused on daytime activities, such as birdwatching or forest bathing.

Until I read this, I’d rarely thought about how I access nature at night. In the winter especially, I see daylight as my tonic. Darkness has its dangers, of course – I have no plans for midnight forest bathing – but there’s nothing stopping me switching off the lights at home, and looking up.

All this brought to mind the joke about the drunk man searching for his lost keys under a streetlamp. When asked why he’s searching only under the light, he replies ‘It’s easier to see here.’ All the while, what he needs is in the dark.

by Richard Fisher

FIND OUT MORE

The Psyche Idea ‘The “Panzoic Effect”: The Benefits of Thinking About Alien Life’ (2025) by the astrobiologist Graham Lau argues that there are myriad psychological upsides that come with reflecting on the potential of extraterrestrial life.

Contrary to popular belief, winter does not necessarily dampen human cognition. To discover why, read the Psyche Idea ‘What Happens to Our Cognition in the Darkest Depths of Winter?’ (2021) by the psychologist Tim Brennen.


A common misunderstanding about genetics

Listen to this article

A dark building with a brightly lit orange window at night, surrounded by dimmer blue-tinted windows.

Barely a day goes by without a new genetic finding in the news. These stories – although aimed at the public – often include scientific terms that are widely misunderstood.

I am a sleep researcher. Together with some colleagues, we investigated this problem in the context of insomnia. We first asked participants what they understood by the ‘heritability’ of insomnia. Heritability is a key genetic term that often appears in news stories and refers to the extent to which genetic influences explain differences between people. Less than a quarter of our sample selected the correct answer from four options; almost half of them chose one of the incorrect options that stated that heritability refers to the chance that someone will pass insomnia on to their children.

This suggests that when many people read about a disorder like insomnia being moderately heritable, they misunderstand what this means. Understanding genetic information matters, not just in terms of scientific understanding, but because of how it could shape people’s treatment decisions.

Most medical organisations recommend cognitive behavioural therapy (CBT) as the first-line treatment option for chronic insomnia. However, when we asked our participants about the effectiveness of different treatment options for people reporting insomnia, their answers were swayed by whether we suggested that their insomnia was caused by genes or the environment. If we suggested that the insomnia had a genetic cause, they thought CBT was less likely to be effective and drug treatments more effective as compared with when we suggested that the insomnia had an environmental cause.

This is a stark reminder of the importance of the public communication of science. Not only to avoid misunderstandings, but because of the real-life consequences that could follow.

by Alice Gregory

FIND OUT MORE

For a longer version of this argument, check out my editorial for the Journal of Child Psychology and Psychiatry.

For a philosophical take, read the Psyche Idea ‘Our Big Problem is Not Misinformation; It’s Knowingness’ by Jonathan Malesic (2023).


NOTE TO SELFETHICS

How will the future judge us?

Listen to this article

Daguerreotype of a seated man wearing an apron and a partially open shirt framed in a gold mat.

If we’re honest with ourselves, most of us can probably think of something we are doing, or declining to do (or supporting, or buying into) that is likely to strike people of the future as an obvious example of a moral failure. Human choices are sometimes badly at odds with human ideals and, in many cases, that seems to become clearer to everyone in the rearview mirror.

I got a fresh reminder of this while recently watching the PBS documentary series The American Revolution (2025). If you know anything about that revolution, it’s hard to miss the disconnect between its lauded ideals – including the assertion, in the Declaration of Independence, that ‘all men are created equal’ – and the slavery upheld by many of the nation’s founders.

The documentary also highlights a less-known detail about the Declaration. In a draft of the colonies’ complaints against the British crown, Thomas Jefferson, himself an ‘owner’ of people, blamed the king for the Atlantic slave trade and, incongruously, called it a ‘cruel war against human nature itself’.

What’s stuck with me in particular is the way the historian Annette Gordon-Reed then sums up Jefferson’s relationship to slavery. ‘From the beginning to the end, this institution bounded his life, even though he knew it was wrong,’ she says. ‘How could you know something is wrong and still do it? Well, that is the human question for all of us.’

For me, her remark is an invitation to reflect. Hopefully, for most of us, our current behaviours don’t include anything that will be as terrible to our descendants as enslavement is to us. But the excuses we might give for acting or not acting now are likely to seem much thinner to someone living 250 years from now. And that, I think, casts a brighter light on our choices.

by Matt Huston

FIND OUT MORE

In her article ‘Whose Independence?’ (2025) for The Atlantic, Annette Gordon-Reed tells the story of African American writers who, going back to the revolutionary era, challenged their country to recognise the implications of its own stated ideals.

The Aeon Essay ‘Moral Progress Is Annoying’ (2024) by Daniel Kelly and Evan Westra explores why even positive changes in moral standards often cause irritation and dismissiveness at first.


NOTE TO SELFEMOTION REGULATION

Finding solace in Murderbot

Listen to this article

A person wearing a futuristic robotic suit walking through a lush green forest.

A science fiction fan in my teens, I recently decided to dip my toes in the genre again. When I asked Claude for recommendations, it suggested the Murderbot Diaries (2017-), a book series by Martha Wells, about a half-robot, half-human ‘construct’ with a rich emotional life (maybe Claude was dropping me a hint?)

Murderbot is designed to be a SecUnit for protecting humans on space missions. It manages to deactivate its ‘governor module’ granting it the ability to make free choices. If you’re interested in the limits and ethics of machine intelligence, you’ll find the series compelling. But that’s not its only appeal, especially if you’re someone with non-optimal levels of angst and self-consciousness.

The novellas are told through the inner monologue of Murderbot. Its wry, detached observations about its own emotional and social discomforts can be hilarious and surprisingly relatable. On occasion, I’ve found myself emulating its narrative style in my own head, and it can be an odd comfort.

For example, you know that panicky feeling when someone expects you to open up? Murderbot describes one such instance in Book 1, All Systems Red: ‘I had cycled out of horrified that they wanted to talk to me about my feelings into grateful that she had ordered them not to.’

Murderbot is effectively modelling how to notice your own inner thoughts and feelings from a distance – similar to how an ACT therapist might coach you in ‘defusion’ with prompts such as: ‘So, what’s your mind telling you now?’

There is an irony in a fictional form of machine intelligence helping us to feel more normal – more human – about our own insecurities. But as Jason Sheehan put it so well in a review for NPR: ‘we are all a little bit Murderbot.’

by Christian Jarrett

FIND OUT MORE

Read an interview with the Murderbot author Martha Wells at Scientific American, covering personhood, neurodiversity, and how contemporary forms of AI compare with those depicted in her books.

For a simple way to create psychological distance from your thoughts and feelings, try this simple linguistic trick that was explained in a Psyche Idea by the social psychologist Ariana Orvell.

Explore more

Person in a hat with feathers admires a colourful painting in a gallery.

Why art seems more beautiful when you can see yourself in it

Research suggests that people find artworks more aesthetically pleasing when they’re personally relevant to them in some way

by Matt Huston

Photo of a man admiring a large stained glass artwork with vibrant blue and yellow hues depicting various figures and animals.

Beauty is not an ornament to the good life, it is at its heart

Why does the hand want to draw what the eye sees as beautiful? Why do we respond to beauty by creating the beautiful?

by Nick Riggle

Painting of a woman leaning over a seated man at a desk with papers, a horse race painting in the background.

Why is there such a thing as ‘true love’ but not ‘true grump’?

What makes an emotion feel true? And how is that connected to your true self? New insights on old philosophical puzzles

by Shayla Love

Ancient clay figurine of a woman with a veil, arms crossed. The surface is textured. Image shows a simple, worn design.

To ancient Assyrians, the liver was the seat of happiness

Cutting-edge computational techniques are shedding light on how the emotional experiences of past cultures compare to ours

by Juha Lahnakoski & Ellie Bennett

Photo of a person standing by a mountain lake with a bench nearby, surrounded by lush green mountains under a clear sky.

Empathy is, at heart, an aesthetic appreciation of the other

Empathy is an aesthetic practice that relies on our capacity to delight in, and respond with reverence to, the world around us

by Susan Lanzoni

Painting of a traditional Chinese funeral, people in white robes mourning around a deceased figure on a table.

Rituals create community by translating our love into action

For the Confucian Xunzi, love and gratitude are not just feelings in response to events but possibilities for social action

by Curie Virág

Three worn teddy bears, one beige, one blue and a brown one that has had its nose rubbed off.
PLAY

The Teds

Like characters outgrowing their creator, our teddy bears developed lives of their own

by Sam Firman

Photo of sunlit green leaves and branches against a bright blue sky.

The most profound wonder is stirred by what is most ordinary

Rare moments of wonder at the mere existence of things – rather than the dramatic or new – involve perceiving with the soul

by Maria Balaska