Philosophy of art

Photo of a person admiring art in a gallery framed by a large red sculpture, with a wooden floor and a dark wall background.

A touch of absurdity can help to wrap your mind around reality

And now for something completely different: how a dose of the surreal or absurd helps to make sense of our place in the world

by David Robson

Painting of hunters and dogs in snowy landscape with a village and ice skaters in the background, trees and hills visible.

When art transports us, where do we actually go?

Artworks have the capacity to transport us into other worlds. But where exactly do we go when we are immersed in art?

by Harri Mäcklin

Painting of two women in historical clothing beheading a man, with one holding him down while the other uses a sword.

Gentileschi. Let us not allow sexual violence to define the artist

Artemisia Gentileschi’s body of work has been framed by her personal history. Her paintings should speak for themselves

by Eliza Apperly

Large projection of a painting’s cracked surface with a person standing in front, focusing on a close-up of a smiling mouth.

Engaging with an artwork leaves you and the art transformed

When you engage with an artwork, a form of cognitive coupling takes place in which your mind and the art are transformed

by Miranda Anderson

A painting of a man and woman holding hands indoors with a small dog at their feet. The room is richly decorated.

To master the art of close looking, learn to hold time still

Visual literacy is a skillset that’s rarely taught, but it begins with learning how to look – and how to hold time still

by Grace Linden

Two women seen from behind seated on a bench viewing a large four-panel painting of a cloudy sky in an art gallery.

You can be aesthetically sensitive and know nothing about art

Aesthetic sensitivity is not about being correct in your judgments of beauty, but rather how much you’re affected by it

by Guido Corradi

Charcoal drawing of a person writing at a desk with a focused expression and dramatic shading.
MEMOIR

In defence of memoirs – a way to grip our story-shaped lives

Even the non-linear memoir creates meaning by shaping the hot mess of life into a narrative arc. What’s wrong with that?

by Helena de Bres

Photo of carved wooden figures on a white background each with simple facial features and varying shapes and expressions.

Archaeology excavates the layers of meaning we leave behind

Archaeologists make sense of the past by thinking about the intentional and the natural meanings of what they uncover

by Marilynn Johnson

Painting of lilac flowers with green leaves on a dark background. The flowers vary in shades of purple, pink, and white.

‘Nothing renders their beauty’ – can art ever capture the splendour of a flower?

A film by Miléna Trivier

Black-and-white photo: person sitting by a fire on a snowy riverbank under a bridge, wearing a winter coat and hat.

The astounding performances of an artist making art and life simultaneous

Directed by Adrian Heathfield & Hugo Glendinning

Etching of a man sitting on a milestone marked “Paris” with a broom, barren trees and distant houses in the background.

Looking at portraits with an eye to evolutionary psychology

Why our understanding of Jean-François Raffaëlli’s ‘Roadman’ portrait can use a little help from evolutionary psychology

by Dan Sperber

Marble sculpture of a seated figure playing a harp on a grey background.
MUSIC

Ancient Greek ideas of attunement can breathe new life into music

In Athenian philosophy, attunement is important not only in music, but also for moods, attitudes and states of mind

by John Bagby

Two people watching a film in a dark, nearly empty cinema. One person is holding a popcorn box.

‘Once upon a time…’ Deconstructing our insatiable appetite for stories

Directed by Aisling Chin-Yee

Photo of a performer on stage wearing a vest and hat, posing energetically with a US flag draped on their back.

Debating Bon Jovi’s cheesiness will enrich your conceptual life

Aesthetic questions don’t have answers ‘out there’ in the world. We’re free to decide what’s a glitch or a sculpture, and why

by Elizabeth Cantalamessa

Hand-drawn cinema facade with film listings. One person in red is entering through the door. Building exterior has detailed brickwork and a tree.

Is the concept of originality in art a bit, well, unoriginal?

Directed by Drew Christie

Black and white photo of a woman in a historic costume with a spear and shield posing in front of a painted forest backdrop.

Why we love to play pretend in front of scenic backdrops

Zoom backgrounds have their roots in 19th-century portrait photography and say as much about the creation of the social self

by Kim Beil