For most of my 20s, I couldn’t brush my teeth, ride public transit, or take a walk without listening to a podcast or audiobook. Silence, I thought, was a waste of time.

But since reading All the Beauty in the World (2023), I’ve been reconsidering my relationship to dull, seemingly empty moments. In the book, Patrick Bringley recounts his decade among the watchful guards of New York’s Metropolitan Museum of Art. Standing in the Met’s echoic halls for hours on end, day after predictable day, he found that, over time, his relationship to the work slowly changed. Initial enchantment with the art gave way to boredom – and then, enlightenment. He surrendered to the ‘turtleish movement of a watchman’s time’, stopped thinking about how much of his shift was left, and let the hours drift.

I think about Bringley’s experience when I have to engage in any long, monotonous task. It might be waiting in line or on hold, vacuuming, folding laundry, or chopping vegetables for dinner. I resist the urge to fill the time with music or podcasts and strive instead for what Bringley calls a ‘princely detachment’ from time, finding the luxury and nuance in the moment.

Bringley noticed patterns in the different kinds of Met visitors. Hanging up my laundry, I notice patterns in how different articles of clothing tend to wrinkle in the wash. Bringley developed an appreciation for artworks that he initially ignored. I pay finer attention to the unique composition of facial features on the faces of people I stand in line with. I am learning, I think, to appreciate the little things.

Of course, it requires constant practice to find the peace and richness in these stretches of time. But your reward comes, Bringley says, when an hour no longer feels an hour long, and you ‘hardly remember how to be bored’.

Often, forgetfulness is a mere inconvenience: that name, date or task that simply slipped through the cracks. But, sometimes, it’s downright unsettling to forget something. A friend asked me the other day: ‘Remember that hilarious dinner we had there a few years ago?’ And when for the life of me I couldn’t, I felt as if a slice of my existence had been cast into oblivion.

The ancient Greeks harbored a similar, if more pronounced, terror of forgetting. Plato associates forgetting with ‘non-being’, nothingness. Homer’s heroes do heroic things in order to achieve kleos (fame), and thereby defeat the destruction that comes with being forgotten. (As one of the Seven Wise Men said: ‘You will obtain memory through deed.’) Perhaps as a kind of buttress against the fear of forgetting, they anointed Mnemosyne, memory, the mother of the nine muses.

But I enjoyed learning the other day that this negative view of forgetting wasn’t shared by all ancient peoples. Daoism positively celebrates forgetting, indeed raises it to the status of an art. Zhuangzi, a founder of the tradition, urges people to master this art in order to gain a glimpse of Dao (the way), the eternal substratum of our passing world. As the philosopher Xia Chen writes, Zhuangzi’s idea is that the more of the world we’re able to forget – be it morality, history, the arts – the more we’re able to discover our true self, shaving off all that’s inessential to get down to the pith that we ultimately are.

Now, I don’t know if that will be of help when I inevitably confront the next lost memory, but it’s good to remember, if possible, that there’s a certain, subtle benefit in forgetting. ‘Only by forgetting,’ wrote the German philosopher Hans-Georg Gadamer, ‘does the mind have the possibility of total renewal.’

I usually start the year with the goal of reading more books. But, this year, my goal is to read just one: War and Peace (1869).

Leo Tolstoy’s novel has been on my shelf for years, but lighter and shorter fare has always come between us. ‘I’ll read this one quick, easy novel,’ I think, ‘then I’ll give Tolstoy my full attention.’ Years passed. Until I encountered the idea of the ‘slow read’, via Simon Haisell’s newsletter Footnotes and Tangents. It’s Haisell’s third and final year running an online club for this particular novel, producing podcasts to accompany each week’s reading, and in 2025 his subscriber list has swelled like the ranks of the Napoleonic and Russian armies advancing towards each other, with me among their number.

War and Peace has 361 chapters, most shorter than 10 pages. Having started on 1 January and reading a chapter a day, I can expect to reach the epilogue not long after Christmas. This makes my experience similar to how the earliest version of the story, published in weekly newspaper instalments, was read. Now more than halfway through the year, my sense of time has shifted in response to this routine. The book as an object has become a talisman, a tangible manifestation of how a daily habit can build into a much bigger accomplishment: the growing section of pages in my left hand marking out the year so far; the dwindling section in my right hand showing the year yet to unfold. On the left is what is done and cannot be changed; on the right are possibilities still open, choices yet to be made, days to be filled with activities of my choosing. If this is what I can achieve through an extra 15 minutes of reading a day, what else could I add to my life in a similarly manageable, daily microdose? My guitar calls to me from across the room, and the Duolingo owl hoots softly, menacingly, from my phone.